Job Search Workshops September 11 and September 18
Monday September 11 @ 11:00-12:00
Monday September 11 @ 11:00-12:00
Fall 2020 – Creative Nonfiction Workshop Led by Cutter Wood WEDNESDAYS, 7:00 – 9:00 pm September 9 – December 16 2020 Come and take part in a semester-long creative nonfiction workshop! To apply, you do not need academic qualifications or publications. The class will include some readings of published writings, but will mainly be a roundtable critique of work submitted by class members. There are no fees to participate in the…
Professor Jonathan Gil Harris will discuss Taming of the Shrew at the Shakespeare Theatre on Sunday as part of the Windows series. Information below. There is also a pay what you can performance that same day. —— part of the Shakespeare Theatre Company’s Windows Discussion Series. Sunday, September 30, 2007, 5:00 P.M. at the Lansburgh…
Priya Joshi will present “Rethinking the Theory of the Novel” March 6th at 3:30 pm in Rome 771 Priya Joshi Joshi asks: “What theory of the novel might emerge when it is based on anti-literary forms? How might attention to the anti-literary revise the history of the novel as it is presently conceived?” She uses…
On Saturday, September 13, DC Library Presents: Professor Margaret Soltan talking about poetry and Charles Wright, the new poet laureate of the United States. The event is at 1 PM at the Georgetown Neighborhood Library, 3260 R Street NW. Share on FacebookTweet
The English Graduate Student Association welcomes graduates and undergraduates to attend the 2013 EGSA Symposium “Temporal Slippages and Spatial Slidings: A Symposium on Failed Fixities” The Symposium will be held on February 15th in Rome 771 and will start at 9 am and end at 5:30 pm! Here’s a sneak peek at some of the panels!…
Dear Faculty and Graduate Students: Don’t forget to mark your calendars for the 2016 EGSA Student Symposium, Border Crossings! Friday, February 12th from 9 AM- 6:30 PM Gelman 219 This year’s symposium features a cross-disciplinary smorgasbord of border crossings, from Historical and Economic exchanges to Crip/Queer crossings, Genre and Intertextual blending, and the power…