A Statement from the Department of English

Professor Antonio López appears in the latest edition of “The Chronicle Review” for The Chronicle of Higher Education, reflecting on a number of recent scholarly publications on Cuba and race, focused especially on the situation of Afro-Cubans. Readers of this blog are already well-acquainted with Professor López’s work in the field, as his own eagerly-awaited…
That’s me at the Rock and Roll Hall of Fame in conversation with Lauren Onkey last week. Last week I had the pleasure of speaking at a screening of the new documentary Godmother of Rock: The Rosetta Tharpe Story at the Rock and Roll Hall of Fame and Museum in Cleveland. The event kicked off…
We are pleased to announce that Composing Disability, GW’s biennial Disability Studies conference, returns on March 22-23, 2018. The full program will be posted soon, and the keynote for this event is UK-based artist-activist Liz Crow. Crow is the founder of Roaring Girl Productions and works with performance, film, audio, and text. Her work has…
Nothing Gold Can Stay Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay. “Nothing Gold Can Stay” has been one of my favorite poems…
I rang in the new year in rural West Virginia, far from cell phone towers or, for that matter, a satellite connection to transmit images of the ball dropping in Times Square. Although I felt a bit disconnected from my annual TV ritual, the night sky was dark enough for star-watching, a rarity in Washington…
Shakespeare’s plays enjoy a great deal of popularity across the world, yet most of us study Shakespeare’s local productions. Alexa Alice Joubin‘s Shakespeare and East Asia (Oxford 2021) addresses this gap through a wide-ranging analysis of stage and film adaptations related to Japan, South Korea, China, Singapore, Tibet, Hong Kong, Taiwan, the US and UK, including Asian American works….